First Call of Duty: Modern Warfare 3 DLC screenshot released

Infinity Ward has released the first Call of Duty: Modern Warfare 3 DLC screenshot.

The image, below, is of the multiplayer map Park (Central Park?), which launches 24th January for Xbox 360-owning Call of Duty Elite premium subscribers.

On the One of Swords blog, Activision community man Dan Amrich explained how MW3's DLC will be dished out to Call of Duty gamers.

"Other platforms and dates were not discussed, but remember that there's a double-whammy here," he said.

"Due to a business arrangement from 2010, Xbox 360 gets DLC content ahead of other platforms, and Activision has promised Elite subscribers will get DLC content ahead of the general public.

"With that in mind, I see five audiences: Xbox 360 Elite, Xbox 360 general public, PS3 Elite, PS3 general public, and PC. I don't yet know in what order each of those audiences will be served. That could get confusing, but you know I'll do my best to make it as easy to figure out as possible."

Infinity Ward said January's DLC includes Spec Ops content and "a variety of things that players have never seen before". Three developers are working on MW3 DLC: Infinity Ward, Sledgehammer Games and Raven Software.

Meanwhile, Infinity Ward confirmed the iOS and Android Elite clients will arrive in January 2012.

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FIFA 12 - Gameplay & Commentary!

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RAGE Review

The irony of Bethesda’s acquisition of id is that it has made Rageand Fallout cousins when, in all 
honesty, it’s hard to imagine them getting along. There’s a resemblance, certainly – you can see it in the junkyard aesthetic of the rickety shanty towns that the inhabitants of both wastelands have thrown together, you can hear it in the snarls of the mutated monsters lurking in the hideouts beneath both game’s surfaces, and you can feel it in the similarly black-humoured approach to the end of civilisation. But the likeness only goes skin deep. Where Fallout is freeform, Rage is focused; where Fallout’s execution is shonky, Rage is technically flawless; and where Fallout is abstract and statistical, Rage is upfront and personal.

And, visually, id’s game blows Bethesda’s in-house title out of the water – and not just because it’s running at an unbroken 60fps or packing id’s much-vaunted MegaTexture tech. Beneath the brown, rugged surface there’s real character here – in the lined and weathered faces of NPCs, for instance, or in the way a shaft of sunlight has been angled to hit a pile of artfully aligned rubble just so. It’s an artistry that comes at the cost of environments that react to your bullets in only the most superficial of ways, but nonetheless, the world of Rage shows that id’s artists are capable of much more than gruesome cyber-horror.